By Sarah A. Hoyt
Unique exchange paperback, sequel to Darkship Renegades and Darkship Thieves. The son of a ruler in the world instigates civil battle and revolution while he makes an attempt to take where of his assassinated father and uncovers a bad mystery that has been used to enslave humanity.
The Son additionally Rises…
On a close to destiny Earth, sturdy guy doesn't suggest good at all. as an alternative, the time period indicates a member of the ruling type, and what it takes to turn into a great guy and to carry onto strength is downright evil. Now a conspiracy 1000s of years within the making is ready to be delivered to gentle while the imprisoned son of the great guy of Olympic Seacity escapes from his solitary confinement cellphone and returns to discover his father assassinated.
but if Luce Keeva makes an attempt to grasp the reins of energy, he reveals that now not all is because it turns out, plot for his personal drawing close homicide is afoot—and around the globe conflagration looms. it's a warfare of revolution, and a shadowy team referred to as the Sons of Liberty may possibly end up to be Luce’s merely best friend in a struggle to throw off an evil from the earlier that has enslaved humanity for generations.
Sequel to Sarah A. Hoyt’s award-winning Darkship Thieves, and Darkship Renegades.
About A Few sturdy Men:
“Hoyt creates a fast paced and wonderful story a few revolution and its reluctant leader.”—Galveston County Daily News
About the Darkship series:
"First-rate area opera with an ethical lesson. You won't be disappointed."—Glenn Reynolds, Instapundit.com
“[A] travel de strength: logical, outfitted from assumptions without contradictions . . . gripping.”–Jerry Pournelle
“[Three Musketeers writer] Alexander Dumas might provide [Sarah A. Hoyt] a thumbs up.”–Steve Forbes
“[F]anciful and charming.” –Library Journal
“Exceptional, outstanding and drastically entertaining.” –Booklist
Read Online or Download A Few Good Men (Darkship, Book 3) PDF
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Extra info for A Few Good Men (Darkship, Book 3)
But among the ‘sondry thynges’ which books treat of are women, and here we not only have ‘other preve’, but we find the books themselves at variance; in opposition to the antifeminist tradition which is represented in the Legend’s Prologue by the Troilus, there are the ‘sixty bokes olde and newe’ in Chaucer’s possession which the God of Love cites as containing innumerable stories of women who chose to die rather than be unfaithful (G 273–310). How can the notion of literary authority survive such contradictions?
Chaucer must have known perfectly well that Troilus and Criseyde, for the reasons I have already outlined, is not an antifeminist work. Yet he also knew (as his picture of Jankin’s use of his ‘book of wikked wyves’ makes clear) that the subtleties of authorial intention are all too often submerged in the crude interpretations of the reading public. This being so, he both is and is not contributing to the antifeminist tradition in telling of Criseyde. He therefore avails himself of the conventional polarities of the ‘woman debate’ in order to make an equivalent contribution to the opposing stereotype of the suffering ‘good woman’.
At the end of Troilus and Criseyde, he not only apologizes for his story to the female members of his audience12 – Bysechyng every lady bright of hewe, And every gentil womman, what she be, That al be that Criseyde was untrewe, That for that gilt she be nat wroth with me. Ye may hire gilt in other bokes se; 12 The audience addressed may be the implied rather than the actual audience, since Richard Green (1983–4) has shown that the number of women at court was probably small. Such apologies to women for anti-feminist material are frequent enough in medieval literature to be regarded as conventional (Mann, 1991); but Chaucer’s use of the convention is differentiated from that of other writers by his immediate addition of remarks critical of men.
A Few Good Men (Darkship, Book 3) by Sarah A. Hoyt