By Philip Jones
This autobiography offers a desirable check out Australia's Heide sleek paintings flow from a guy who performed a vital part in it. A bright photograph of Australia's bohemian panorama of the Nineteen Fifties and Sixties emerges and mythical figures within the Australian artwork scene, comparable to John and Sunday Reed, come to lifestyles.
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Extra resources for Art & Life
I found it all wildly exciting and would gladly have moved in with her. There was a coffin-shaped bath in the kitchen. One day I helped her paint her bedroom. ’ I was shocked. November 2003 Staying in London with Sylvia and Stuart. Left from Wimbledon Common to spend a day with the Summerses in their pretty sixteenth-century house, Hyde Cottage, Lensford, in rural Hertfordshire. It was our first meeting in several decades and I wanted to borrow photos and reminisce with Jeremy about my first visit to England.
In 1955 her play The Torrents jointly won the Playwrights’ Advisory Board prize together with Ray Lawler’s The Summer of the Seventeenth Doll. Oriel’s bad luck began with her second husband John Hepworth losing the only script in a Melbourne bar. It was rescued from a rubbish bin by an enterprising barmaid! The Doll, as everyone is aware, changed the face of Australian drama. The competition was too great. Torrents sank, almost without a trace. Oriel was too avant-garde. You just didn’t write about feminism or the environment in the 1950s.
If I, myself, was some sort of snob, I certainly found its manifestation in him to be incomprehensible. 28 Art & Life Writing this memoir is a salutary, if belated, lesson about myself. I now realise that I am anarchic by nature. I simply could not see why—and still do not—I should study anything that held no interest for me. English, yes, of course. Modern European history and the Congress of Vienna: what was the point? I am vitally interested in it now, but not then. I was quite interested in economics and commercial principles.
Art & Life by Philip Jones