By Barbara N. Porter
The Assyrians have frequently been characterised because the powerful males of the traditional close to East, controlling their empire mostly via army strength, terror, and intimidation. the recent interpretation of Esarhaddon's reign provided right here, even if, means that his luck in facing conquered Babylonia lay in his masterful use of non-violent instruments of presidency: public works courses, royal public appearances, and particularly using records that offered diverse pictures of the king and his rules to varied nationwide audiences. lines of those innovations within the guidelines of prior Assyrian kings recommend that the Assyrians had lengthy used them, in addition to terror, to manage their empire. photos, strength, and Politics: Figurative features of Esarhaddon's Babylonian coverage (681-699 B. C. ) additionally proposes a few new ways to examining Assyrian royal inscriptions. It indicates, for instance, that Assyrian development files, even supposing usually buried in foundations, have been first learn to modern audiences and have been essentially designed for them. research of sophisticated variations in Esarhaddon's Babylon inscriptions means that versions will be clues to the identity of alternative meant audiences for texts that have been as soon as although of as duplicates. pictures, strength and Politics combines documentary and archeological proof to suggest a brand new interpretation of Esarhaddon's reign in line with shut analyzing of texts. It additionally proposes a brand new, extra complicated version of the recommendations through which Assyria succeeded in governing her empire.
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Extra resources for Images, Power, and Politics: Figurative Aspects of Esarhaddon's Babylonian Policy
S e c n o t e IK, p . 4 2 4 , in T h o r k ild J jc o b s c n . Touurd th e Image o f T a m m u z . c d . W illia m L . M o ra n . " t e x t 3 , p . 18, w i t h d e s c rip tio n o n p . x x v iii. in S im o P a rp o la a n d K a z u k o W a ta n a b e , N eo -A ssy ria n Treaties a n d L o y a lty O aths. S ta te A rc h iv e s o f A ssy ria. II. 20 Im a g e s, P o w e r , a n d P o litic s F, E p . 2 , 11. 2 0 - 2 2 ) . I n e n t e r i n g th e b it r e d ù ii E s a r h a d d o n h a d f o r m a l l y as s u m e d t h e r o l e o f c r o w n p r i n c e o f A ssy ria.
D a n ie l D a v id L u c k c n b iU . T h e A n n a ls o f Sennacherib, O r ie n ta l In s titu te P u b lic a tio n s , II . C o l. I l l , p . 3 5 . II. 7 1 -7 4 . " 77ic Years o f Preparation 15 s u m i w a s t h e p r e s u m p ti v e h e i r t o th e t h r o n e is e v e n s tro n g e r, s in c e c i r c u m s ta n tia l e v id e n c e s e e m s t o in d ic a te th a t t h e A ssy ria n s ir. th is p e r i o d n o r m a lly f o llo w e d t h e p r i n c ip l e o f s u c c e s s io n t o th e t h r o n e b y th e e ld e s t s o n o f t h e r e i g n i n g k in g ?
N . 4 5 ) t h a t A B L 152 p r o v id e s e v id e n c e o f E s a rh a d d o n 's p a r tic ip a tio n m a ffa irs o f s ta te d u r in g h is te r m as c r o w n p rin c e . T h e " k in g ’s m o t h e r " m e n t i o n e d i n t h e le tte r , h o w e v e r , is a lm o s t c e r ta in ly N a q i ’a , E s a rh a d d o n 's m o th e r , m a k in g t h e c r o w n p r i n c e a d d re ss e d i n t h e l e tte r n o t E s a r h a d d o n , b u t h is s o n A s s u rb a n ip a l. O f all t h e N e o -A s s y ria n le tte r s f r o m N i n e v e h w h i c h a r c a d d re s se d t o a m J r i a n i (literally , “k in g 's s o n ," a te r m re s e r v e d i n t h e le tte r s f o r t h e c r o w n p r in c e a lo n e ) , n o n e c a n b e a ss ig n e d u n e q u iv o c a lly t o t h e p e r i o d i n w h i c h E s a rh a d d o n s e r v e d as c r o w n p rin c e .
Images, Power, and Politics: Figurative Aspects of Esarhaddon's Babylonian Policy by Barbara N. Porter