By Elmore Leonard
No one is extra evocative of the dusty, gutsy hey-day of the yankee West than Elmore Leonard. And no tale a couple of younger author suffering to release his occupation ever matched its subject material larger than the story at the back of Leonard's Western oeuvre.
In 1950, clean out of faculty -- having written "pointless" tales, as he describes them -- Leonard made up our minds he had to choose a marketplace, a huge one, which might provide him a greater probability to be released whereas he realized to jot down. In picking out among crime and Westerns, the latter had an impossible to resist pull -- Leonard enjoyed video clips set within the West. As he researched deeper into settings, Arizona within the Eighteen Eighties captured his mind's eye: the Spanish impression, the standoffs and shootouts among Apache Indians and the U.S. cavalry ...
His first dozen tales offered for two cents a observe, for $100 each one. the remaining is history.
This first-ever entire selection of Leonard's thirty Western stories will thrill fans of the style, his die-hard fanatics, and everybody in among -- and makes an awesome examine of the release of a good looking career.
From his first actual tale ever released -- "The path of the Apache" -- via 5 a long time of vintage Western stories, The whole Western tales of Elmore Leonard demonstrates time and again the wonderful expertise for language and gripping narrative that has made Leonard the most acclaimed and influential writers of our time.
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Extra info for The Complete Western Stories of Elmore Leonard
But among the ‘sondry thynges’ which books treat of are women, and here we not only have ‘other preve’, but we find the books themselves at variance; in opposition to the antifeminist tradition which is represented in the Legend’s Prologue by the Troilus, there are the ‘sixty bokes olde and newe’ in Chaucer’s possession which the God of Love cites as containing innumerable stories of women who chose to die rather than be unfaithful (G 273–310). How can the notion of literary authority survive such contradictions?
Chaucer must have known perfectly well that Troilus and Criseyde, for the reasons I have already outlined, is not an antifeminist work. Yet he also knew (as his picture of Jankin’s use of his ‘book of wikked wyves’ makes clear) that the subtleties of authorial intention are all too often submerged in the crude interpretations of the reading public. This being so, he both is and is not contributing to the antifeminist tradition in telling of Criseyde. He therefore avails himself of the conventional polarities of the ‘woman debate’ in order to make an equivalent contribution to the opposing stereotype of the suffering ‘good woman’.
At the end of Troilus and Criseyde, he not only apologizes for his story to the female members of his audience12 – Bysechyng every lady bright of hewe, And every gentil womman, what she be, That al be that Criseyde was untrewe, That for that gilt she be nat wroth with me. Ye may hire gilt in other bokes se; 12 The audience addressed may be the implied rather than the actual audience, since Richard Green (1983–4) has shown that the number of women at court was probably small. Such apologies to women for anti-feminist material are frequent enough in medieval literature to be regarded as conventional (Mann, 1991); but Chaucer’s use of the convention is differentiated from that of other writers by his immediate addition of remarks critical of men.
The Complete Western Stories of Elmore Leonard by Elmore Leonard